Showing newest 21 of 26 posts from May 2009. Show older posts
Showing newest 21 of 26 posts from May 2009. Show older posts

Saturday, May 30, 2009

Old School Saturdays--Special Ed

photo courtesy of snickarsrecords.com

Today for Old School Saturdays, I wanted to stray away from the norm again and talk about another hip-hop artist (just as I did with Doug E. Fresh). I’m sure many of you have heard of him, but I’m sure a few of you have not, none other than “the magnificent,” Special Ed.

Born Edward Archer, Special Ed was born in Brooklyn in 1973. He started rhyming at an early age, releasing his first album in 1989, entitled Youngest in Charge; Ed was 16. Other albums to follow were, Legal (1990), Revelations (1995), The Best of Special Ed (2000) and Still Got It Made (2004). In addition to his releases, he was a member of Crooklyn Dodgers (remember them?), a group of artist that came together to perform for two Spike Lee films, Clockers and Crooklyn.

Just a personal view of Special Ed; first of all, he was the cutest boy/man I had seen, mind you I was all of 10 or 11 years old. I remember watching Yo! MTV Raps and completely falling in love with him. It’s funny because I remember his flow too. It was smooth, with a technically brilliant deliverance; Ed’s style had sex appeal and flair. For those who remember him, you know what I’m talking about. He is probably best known for his songs, “I Got It Made” and “I’m The Magnificent,” which I have provided the videos for. Check them out; I’m sure they will bring back some memories for some of you.

Videos for your viewing and listening pleasure:

"I Got It Made"



"I'm The Magnificent"



I hope you’ve enjoyed another installment of Old School Saturdays.

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Friday, May 29, 2009

Film Review Fridays

photo courtesy of alexsaes

Hello all, no review today for Film Review Fridays. Instead, I wanted to provide a list of a few film reviews I posted previously (links are below). A few of you may have had the chance to watch some of my recommended films, in which case, I'd like to hear your feedback. In comparison to my review, what did you think about the film? Do you agree with my grade? Who were your favorite characters? For those who are new followers of my blog or for those who are looking for weekend film suggestions, check out the links below.

If you're a film-buff like me or have any "must-see" film suggestions, let me know. I'll be sure to add them to my Netflix queue.

Ok, here is the recap list of my previous film reviews (in no particular order):

Rabbit-Proof Fence Film Review (2002)

Before the Devil Knows You're Dead Film Review (2007)

Killer of Sheep Film Review (1977)

Transsiberian Film Review (2008)

City of God Film Review (2002)

Mysterious Skin Film Review (2005)


Check them out or give me your feedback if you've had a chance to check out any of the films. Enjoy!! I look forward to your feedback.

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Thursday, May 28, 2009

Tell Me Something Good--Inspirational Quote

I wanted to share with you an inspirational quote today. Take it for what it's worth and apply it.


You are the embodiment of the information you choose to accept and act upon. To change your circumstances you need to change your thinking and subsequent actions.


-Adlin Sinclair




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Wednesday, May 27, 2009

Wednesday Stimulation--Brain Teaser

photo courtesy of arte_ram

Here's your dosage of mental stimulation on this wet and dreary (at least here in the MD/DC metro area) "Hump Day."

Submitted by: cnmne

Each group of definitions describes three words that are spelled the same, except for one letter (each group describes a different set of words). Example: king, ring, wing. The length of the words in each group is provided.

1) a long step & a conflict or struggle & to hit sharply (6 letters)
2) medicinal ointment & a device that regulates flow through a pipe & to divide into two equal parts (5 letters)
3) not coarse & a musical instrument & a collection of papers (4 letters)
4) meager & sweet baked good & storage room for food (6 letters)

Click here for answer

Let me know how you do. If you'd like to submit a riddle, let me know.

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Tuesday, May 26, 2009

Interview with Visual Artist Nivedita Saha--Her Trials & Tribulations

I recently had the pleasure to meet and interview Nivedita Saha, a visual artist from Mumbai. We became acquainted after she became a follower of my blog. Frequently I review my followers, check out their blogs and more than likely, I end up following them back. After reviewing her blog and her artwork, I was interested in learning more about her, so I contacted her. Nivedita, in my opinion, has a great story of struggling, dreaming, and persevering. Check out her work and read about her story.

1. Hello Nivedita, thanks for agreeing to an interview. How are things going for you?

I have been busy looking for a muse and fighting the artist’s block…it sure has been hectic. LOL!


2. I read over your bio and discovered you were raised in India, Maharastra to be exact. Tell me, a little about that area? Were there any childhood experiences that sparked your interest in art?

I was born and raised in Maharashtra, Mumbai. It is a cosmopolitan city where most people come from different parts of India to realize their dreams. I was one among the teeming millions who arrived here on 21st September 1972. However little that I knew, that my life’s journey, would turn out to be more complicated than I ever thought possible. My father was a major job hopper, switched jobs every year and sometimes every couple of months. As a result, I had quite a disturbed childhood…our family ended up moving almost every year within the city and the state…I went to so many different schools, it was a total disaster for my upbringing. By the time I actually settled into my new surroundings, it was time to move again. My dad was an introvert who kept his problems to himself, also had quite a strong temper and what he decided had to be done his way. My mother is a wonderful talented woman, a singer, interior decorator, social worker and chef…however she couldn’t do justice to any of her talents for several reasons. My sister is 8 years older than me; she managed to finds wings through an early marriage and went away to live with her husband. I, being much younger (9), had hardly any voice to express what I wanted from life. I had no choice but to go with the flow. My childhood gave birth to a rebel inside me who scribbled and doodled when she knew no one wanted to hear what she had to say. I was an introvert, a loner and a non-academic kid. I filled my books with sketches, also occasionally scribbled and doodled on the walls of my room with dark markers and chalks. I was major into music. Art helped me fight my inner struggles and it still does even to this day.

3. So, at what point did you realize that art was the path you wanted to take?

While I was growing up no one believed that one could have a future or career in Art. People were only aware of Engineering, Medical, Banking or teaching as successful professions/careers. Dance, music, painting, and cooking were considered to be the “hobby” category. No one had a clue or cared about what I wanted or what was good for me…I was considered very good in drawing and singing but that wasn’t deemed a talent, nor seen fit to be pursued as a passion (which it was for me)…as I was not academically sound. I always appeared to others as a girl, lacking any serious focus in life. No one…not even my parents were interested in mentoring me…just because I was different from other kids…they found me weird as I directed all my time and effort in the creation art and music. Too much family pressure saw me taking up Science in the 12th grade (that was so not me)...I had to fail.

Then came a friend who counseled and helped me find a suitable career. He was this dream guy who had done extremely well in his career, academically a scholar; my parents seemed to take everything he said very seriously. Having known me and what I might be capable of, he educated us about the career opportunities, universities that offered fulltime bachelors and masters degrees in art. He worked with me and prepared me for the entrance exams and we filled out applications to various reputed institutes in art. This was a major turning point of my life. I made it in flying colors to one of the best institutes in art…the beautiful campus; along with being able to express and do what I always wanted to do 24/7 was like a dream come true. I still had difficulty as my parents had little faith in the career I had chosen …I excelled and got scholarships every year…however there was nothing that I could do to please my parents. They were sure this career option would not lead to any commercial reward, as a career in Fine Art as a painter, would be a struggle for at least 5-6 years. I knew there were hundreds out there, who were really good and struggling for several years. My scholarship in the 2nd year of the degree course gave me an option to choose commercial art and advertising vis-a-vis Fine art. Choosing commercial art meant job and money to pay bills, help support my family immediately after finishing college. I did just that…I sort of killed the artist inside me that day and took up art direction and advertising, majored in illustration. Then landed a great job after college as a stepping stone…got married to my friend, philosopher and guide.

4.What were the determining factors that led you to choose art over advertising and information technology?

In Mumbai, life is tough i.e. if we wanted more from life (which includes a house, a car, good lifestyle, a decent social status etc)… both of us (my husband and me) ended up working like DINK (Double income no kids) for almost 9 years. I switched several jobs in the creative front, so did he…we got tired of this crazy-busy life where we had no time for each other. Advertising and IT are both very demanding career options, working late hours sometimes days, weeks, and months…it was impossible for me to maintain a quality relationship with my spouse, which we once had, years ago.

I was also doing everything but ‘art’ after I graduated from college (no wonder it is called ‘commercial art’ the term is so right). One single decision can totally change us and the direction where we’re headed. Being a Creative Head, for some of the best organizations did not satisfy my hunger for doing what I always wanted to do. There was this thing called “Creative Brief” that set parameters on my thought process. This “Brief” came from the client and in advertising ‘Client is King’. Do as the client wants, giving him what he thinks might be right for his product promotion, this always takes precedence over what we think might be good for the client…so…there goes your creativity. This “Brief” comes with parameters, rules, regulations, and guidelines to follow…that meant total lack of freedom for someone like me. I had to pay my bills and so earning money for sustenance took precedence over creative freedom and expression…for which I often felt sorry for myself. I found myself again in a position where I had no choice. Somewhere within I craved to express full throttle, get back my freedom, wake that rebel and scream that I will no longer go by any rules…I simply wanted to run away from that crazy life. My husband bagged a job in Saudi Arabia and then followed a letter from him in 3 months…it said in simple words…“come get your dream, we have enough financial stability now for you to quit your job and pursue your real passion”. I quit my job, sold our house, packed my bags and moved to the Middle East to follow my dreams. Since then it has been over 6 years and I have never regretted leaving advertising…not once!

5. Do you have any other interests besides art?

Yes, I sing and have been a professional performer.

6. Nivedita, share with me your personal definition of ART?

I cannot define Art….Art defines me.

Art is a habit… my way of life. Art helps me with my inner struggles…it takes away all kinds of hell. No matter how much I struggle, I can't think of anything I'd rather be doing than this creative work, which is a lot like giving birth. And producing a healthy baby, like a good book, painting, sculpture, song or film is possible only if we have engaged in the process that makes conception possible in the first place. I live for creating even more than myself.

7. When I came across your work, I was like, “wow, I gotta contact her.” The Mutation Series I, The Mole, and The Dragonfly Series are some of my favorites; they are very colorful and imaginative. You mentioned in your bio that your pieces are abstracted realism. Please elaborate on that statement.

Abstract Realism: Given the exact same theme or photo…an abstract artist will paint it one way, and a realistic painter will paint it another way. Abstract has exaggerated emotionalism and may have no recognizable object of the subject or photo, while realism is without exaggerated emotionalism and pays meticulous attention to details. My work combines both styles and thought processes to produce its own unique blend through the various mediums.

8. What role does India play in your art? How does your country’s culture influence your work?

I am Buddhist by practice; this has its own story (which is quite tragic, personal losses, near death and back etc. I’m not exactly sure anyone would like to know about that episode of my life).

A particular period of art influences my work a great deal, called “The Gupta Period.”

The Gupta period initiated in 275 A.D. by Sri Gupta continued for a long period up to 550 A.D. The imperial Guptas had established political unity under their own supremacy. The period of the Gupta sovereignty in India is termed the “Golden Age.” This period is remarkable for the religious and intellectual renaissance, also witnessed a brilliant development in the fields of art, architecture, sculpture and literature. The enormous wealth of the country during this time led to a cultural resurgence in India. Although the political supremacy of the Guptas crumbled in 550 A.D., the trend of culture in general and the type of art in particular initiated by them, continued for a century or little more. According to historians, the Gupta era is one of the most creative periods of Indian History and the beginning of new style and technique in the field of art. The Gupta period had scaled heights, for which it has been given the epithet “the Golden age of India.”

9. Browsing through your gallery, I see that you use a variety of mediums, oil, acrylic, water-color, mixed… Do you prefer one to the other?

Yes, I use a variety of mediums to express the same style and theme that runs through my artworks. Etching, mono-prints, pen and ink, acrylics, watercolor…each medium has its own strength and expression…I enjoy the diversity and flexibility.

10. Do you ever use computer software for your works?

No, I never use computer software for any of my work except for updating and maintaining my blogs.

11. You have another blog, Digital Passion, featuring photographs. Are you headed toward professional photography also? Or, is photography just a hobby?

I graduated with a degree in commercial art; photography and creative art direction formed an essential part of my career. In my advertising days I enjoyed doing conceptual photography for several campaigns, press ads and catalogues. The lens has never betrayed me, I love photography, and I’m quite passionate about the lens…the only difference today is before I captured what I was asked to…today I capture what I want to.

Yes, I am building a few projects in photography as well, along with working on installations for future shows.

12. You have participated in several exhibitions. What are some of your other creative accomplishments and/or aspirations?

I wish to pursue MFA, I have a 5 yr old daughter who needs me right now…however, my family is very supportive and I’m positive that help will come…I’m just waiting for the right moment. I hope for exhibition opportunities in other countries, outside the UAE. I aspire that my creations be seen on reputed platforms by curators and critics. I am trying…not too sure though if my work always reaches the right sources at the right time. The fact for an emerging artist remains that ‘A Reputed Gallery needs to represent an Artist to succeed’…in my case, this has yet to happen. I do have amazing mentors (some are authorities in the art industry) who advice and guide me. I am attached to a young, focused, reputed art gallery and art facility. I day dream of a Solo show, sometime next year…don’t know when, don’t know how…but I’m building a portfolio towards this goal. Feedback from shows this year has been very positive; I was told by art authorities that over 30 collectors have expressed interest in following and investing in my work. Unfortunately a lot of my works are on hold too due to the art market crash. I entered this year when the market crashed so I am taking this period as a time of learning and keeping my expectations realistic and low. Looking at the shape of things…I’d say…for me…creative success is more important than commercial success. I would like to concentrate on consistent creative output…everything else will follow on its own.

13. Will you travel to the U.S. anytime soon?

No, I am not scheduled to travel anywhere, not yet.

14. What type of advice would you share with a young artist trying to get their work seen?

Advice for fellow artist trying to get their work seen: * Try to start off with group shows which help build network and contacts. * Approach a gallery only when you’re sure that your work meets the personality of the space and exhibits they have had before. * See all-important shows; be seen at the right place at the right time. Keep Portfolio CD, visiting card, website ready for self-promotion. * Body of work must speak for itself…it is all that marks an artist’s career…everything depends on it. It is very important to first succeed creatively…commercial success will follow in time. * Every artist has his/her own journey…so have patience, nothing happens overnight. * Being an artist is a privilege. Don't feel sorry for yourself or other artists that are "struggling," feel sorry for people working in jobs that they hate.

15. What is one thing that no one knows about Nivedita?

That will remain a secret!

16. Also, what sets you apart from other visual artists?

Time will tell………

To see more of Nivedita's work, visit her website at meetnivi.blogspot.com

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Monday, May 25, 2009

Musical Mondays--Quote of the Day

Anyone who knows me, knows that I am a self-proclaimed film buff, but I also love watching documentaries and informational pieces on public television. Over the last week, I did just that. I watched a few programs about various cultures including Asians, Indians and Africans. When I saw the quote below I thought it was the perfect fit for the new found knowledge I acquired.

"The truest expression of a people is in its dance and music."
Agnes de Mile (1905-93)

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Saturday, May 23, 2009

Old School Saturdays--Cameo

photo courtesy of jango.com

“Single Life,” “Word up,” and “Candy,” have any idea what group created these hits?? You’re right, Cameo, the funk-infused R&B group formed in the 70s.

Cameo, created in 1974, by former Julliard student and New York area clubgoer, Larry Blackmon, started out with 23 members and was called the New York Players. After concerns that people would get the group mixed up with the popular group the Ohio Players, in 1976, they renamed the group to Cameo. They released several albums between 1977-2000 on various labels including Chocolate City, Atlanta Artists, Mercury, and Reprise. In addition, Cameo released 16 compilation albums between 1992-2006.

I’ve put together a playlist of Cameo songs I’m sure you’ll enjoy.

To read more about Cameo, click here.


cameo

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Friday, May 22, 2009

Film Review Fridays--Rabbit-Proof Fence (2002)

photo courtesy of palmbeachpictures.com.au

Between 1905 and 1971, more than half a century, the Australian government (white Australians) used mandatory force to rip families apart in the Aboriginal communities; compulsorily removing the Aboriginal children from their homes, transporting them 1500 miles away to specially designed camps, training them to be domestic servants. The rationale behind this, excuse my language, is fucking unbelievable!! The indigenous people were placed with white families, in hopes of producing children of mixed races, who, over generations would become whiter and white, forcing the black color to recede from Australia. This was the brilliant idea of AO Neville, the Chief Protector of Aborigines in Western Australia.

The film Rabbit-Proof Fence, depicts the true experience of three young Aboriginal girls who were apart of AO Neville’s appalling plan for an all-white Australia; Molly (Everlyn Sampi) who is 14, her 8 year old sister, Daisy (Tianna Sansbury), and their 10 year old cousin, Gracie (Laura Monaghan). Director Phillip Noyce and screenwriter Christine Olsen brought to life the novel written by Molly’s granddaughter Doris Pilkington Garimara; Follow the Rabbit-Proof Fence.

Rabbit-Proof Fence starts off in the tiny community of Jigalong in Northwestern Australia, near the edge of the Gibson Desert. Through this community, there is a rabbit-proof fence, which spans the entire length of Australia, north to south; it was built to keep the country’s rabbits on one side and its pasture land on the other. Neville, hearing about the three girls in Jigalong, authorizes their kidnapping, ordering them to be placed at the Moore River Native Settlement, located some 1500 miles away. Constable Riggs, following his orders, didn’t realize the fight he would have when he tried taking the children away. He had to overcome the powerful grasp of the girls’ mothers. Now, at the “Settlement,” the children are forbidden to speak their native language, they are forced to conform to religious and spiritual beliefs outside of their own, and told that they don’t have mothers. Well, none of this sat well with Molly, the eldest of the three; she wanted no parts of this. She decides, when the next opportunity arises, she will flee the “Settlement” with her sister and cousin. That day came, thus beginning their long trek back to their families in Jigalong. The majority of the movie, from here out, focuses on the girls’ three-month journey through forests, fields, and desert, along with the trials and tribulations that come along with it.

Learning of their escape, Neville sends out a party of men and an experienced black tracker named Moodoo (David Gulpilil) to track and bring them back to be punished with solitary confinement. Walking barefoot, with the hot desert sun beaming on them, the girls fed on the kindness of those along the way, and the intuitive, resourceful guidance of Molly; they were able to find enough food and water to keep them going. At one point in the movie, it almost seems as though they will not make it, but they stumble upon the rabbit-proof fence, which serves metaphorically as the umbilical cord to their mothers.

I will leave that as my cliffhanger, hopefully enticing you to check out this extraordinary film. Rabbit-Proof Fence could have easily been turned into a film about the brutality put forth by white Australians, but instead this is a film about the ignorance of those who claim to be dominant, resilience, indomitable courage, and family bonds. I can’t say enough about the performances given by the girls; they were the heart and pulse of the film. They captured the feelings and emotions of the young child inside of you, just as if you were searching for your mother or loved one. In my opinion, the girls, especially Molly, gave one of the most remarkable child performances I’ve ever seen. One last thing, the cinematography was incredible. The visuals of the lush and colorful Outback, blended with this amazing story made for a striking film.

This is a must see for all ages. Check out the trailer and place this film in your Netflix queue.

GRADE: A+ (IE users click here)

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Thursday, May 21, 2009

Tell Me Something Good Thursday--Our Voice, One History

photo courtesy of loc.gov

When you think about the history of African-Americans, certain iconic figures come to mind; Dr. Martin Luther King Jr., Rosa Parks, Harriet Tubman…the only figures that the educational system felt suitable for our learning. I could really go on ranting for days about the educational system and the teaching of African-American history, but I won’t, at least not today.

Outside of those extraordinary iconic figures, there were the nameless, unseen people who contributed to the struggle and progress of African-Americans. Finally, those people will have their say. Recently Congress approved a five-year project that involves recording and collecting the oral histories of normal ordinary civil rights pioneers, people like our grandparents and great-grandparents; the project is currently awaiting the signature of President Obama. Using audio and/or video the first-hand testimonies would be made available to the public through the Library of Congress and the National Museum of African-American History and Culture. The project is set to start in October and it is estimated to cost about $500,000 the first year.

I was really overwhelmed after reading about this project. I feel very strongly about my history and the history of America where African-Americans are concerned. I give praise to my mother and my aunt, who early on, encouraged me to research, read, and learn about my history outside of those chosen by the educational system. This project is great in the sense that it will fill gaps and holes in our history, which involved hundreds of thousands of people.

To read more about this project refer to the following links:

Library of Congress, Voices of Civil Rights
Dallas News

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Wednesday, May 20, 2009

Wednesday Stimulation--Brain Teaser

photo courtesy of cobrasoft

Here's your dosage of mental stimulation on this "Hump Day."

Submitted by: megabreath

Quentin, he sits next to Will.
Veronica sits next to Bill.
Graham sits just right of Fred,
And Mortimer sits next to Ned.
Charlie sits just under Fred,
And under Dave, it could be said.
Yasmin's sitting right of Trevor,
And Will and Edgar sit together.

What are we, where are we?

Click here for answer

Let me know how you do. If you'd like to submit a riddle, let me know.

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Tuesday, May 19, 2009

Interview with New Zealand's Graffiti Artist, Askew One

Are you familiar with such movies as Breakin’ or Breakin’ 2 Electric Boogaloo? I’m sure some of you are like me, when you hear the word graffiti, you think of break dancing and hip-hop. Well, I’ve become familiar with the work of Askew One, a graffiti artist from New Zealand; the hip-hop culture was and still is a great influence in work. I found through our interview that Askew One is a freestyle artist; he allows himself to use the “can like a brush” to openly express his thoughts and ideas. As you view his work, you can actually see the how free an artist he is; the locations vary as well as the lines, curves, and flares of every letter and word. Check out Askew’s work and his interview with Homebody Blogger. Your comments are appreciated.


1. First, Askew One, I want to thank you for the interview. How’s life?

No problem, life is good thanks.

2. You go by Askew One, care to share your real name? By the way, what’s the story behind the name Askew One?

For me, my real name isn’t so important when discussing my art; it has no real bearing on that body of work. I chose Askew as a tag when I was 14 years old because I thought it had a both a cool meaning and it’s balanced aesthetically too. I think when choosing a name, that factors a fair amount, for me it was the symmetry of the letters and the way I could paint an ‘A’ to balance the ‘W’, The ‘S’ can compliment the ‘E’ and the ‘K’ can sit in the middle.

3. I read that you were born in Palmerston North and moved to Auckland. Tell me how do the two cities differ and what was the significance of that move. What did it mean to you?

The move to Auckland was a truly pivotal moment in my life. When I look back over my experiences to date and especially those that have been really important in shaping me as an artist, most of them could only have happened in Auckland. When I think about how I might have turned out if I stayed in Palmertson North, I can only imagine a really different outcome. To elaborate on why is probably necessary, especially if you aren’t from New Zealand. My parents were into punk rock and the things and people I was exposed to in Palmerston North, well for lack of a better description, it was very ‘White’. It was the early punk scene but there was a growing skinhead element and a lot of my parent’s friends were heading down that path. I only really knew one Maori family, had one Asian friend at school, there was a major lack of diversity there at that time. Then we moved to inner city Auckland, a really diverse but predominantly Pacific Island neighborhood in a mid 80’s set amidst the initial explosion of Hip Hop culture here. It just blew me away. I wasn’t immediately aware of why exactly because things like the racial factors etc didn’t really occur to me. Later when I looked back at the contrast of my two home cities and found it was more just the energy, the vibrancy, graffiti on the walls, everyone trying to B-Boy and Pop It was a great time to grow up in my part of Auckland. It was before the gentrification of the late 90’s and early 00’s and although my area was tough and run down it was the perfect playground for a generation of kids obsessed with Hip Hop. The cultural diversity of my area just brought so much depth, understanding and excitement to my life, I feel it really shaped me on so many levels.

Mischief Night
click image to enlarge

4. When I think about and see graffiti, hip-hop, rhyming, and beat-makers come to mind. I discovered that you used to MC before you got interested in graffiti. Could you elaborate on those days? What or who influenced you to MC?

Yeah, initially I was really into the music side of things. My stepfather is a musician and some sort of collector of instruments; old drum machines and other bits and pieces. As a kid I played piano and was really drawn to performing, singing, acting and dancing. I also tried writing my own songs and orchestrating routines and shows with the local kids or at school for the talent quests and special performance nights. I was a strange kid actually, just really into being creative in any outlet available to me. It was really encouraged and at the time I first started listening to Hip Hop music seriously (actually introduced to it by my stepfather), I was also trying to make beats with my keyboard, which had a sequencer in it and an old drum machine, which I would manually sync to the music. I was maybe 11 at the time, still in Primary school (Elementary). I kept an interest in this right until I started high school and beyond, forging a lot of my long-standing friendships through a mutual love of making Hip Hop.

5. How did you become interested in graffiti and when did you create your first piece?

I always gravitated to the graffiti aesthetic and drew very Hip Hop inspired art from a young age. I used to admire the "Smooth Inc" around Morningside as a 7 year-old kid. Actually participating in writing was only an extension of being into the music side of things. We just chose tags and got up with them whilst drunk and heading from A to B. It wasn’t a primary focus for me until a bit later. I started doing tags at age 13 or so, progressed to making my first serious attempts at pieces at about 16.

6. When did the merge of your love for hip-hop and graffiti take place? How does the combination affect your artwork? Do you prefer one form of art to the other? Do you have any other interests besides music and art?

It was through a love of the music side of things that I started to participate in graffiti, not just appreciate it or draw inspiration from it, but actually write. For a long time it was an exclusively ‘Hip Hop’ thing for me but now I would say my musical and artistic tastes have broadened, evolved and progressed. I love music and art of all types and draw inspiration from everything I see and hear. At some point, when you make beats and dig into many other genres of music for samples or inspiration you start to mature and appreciate all types of expression. Asides from music and art I love eating well, keeping active, I pay attention to politics and world events; I love animals and draw a lot of positivity from spending time with my pets. I really love aspects of my country and especially West Coast beaches, which are by far the best I have ever seen in the whole world so far.

Rockin' Spacies
click image to enlarge
7. Your work is very bright and colorful, with what looks like an individual story behind it. In your own words, how would you describe your graffiti work? What is your art and expression of? What is the main message that you are sending to those people that view your work?

It took a long time for me to find my own voice within this style of painting and then start to identify a ‘bigger picture’ if you will. When I paint I am thinking about my actions on so many levels and trying to draw on so many things simultaneously. Firstly, my work exists in the real world so it must, either comment on, compliment or defy the surface or environment in which it is painted. Often I choose my locations in advance and look for certain characteristics that I know will photograph well. I want to say something valid with my work, connect with people or make some social or political commentary even if only subtly. Then a big focus for me is the stylistic development of my letters. I could never be content to sacrifice the letters from my work as a means to reach or please more people, even if that would ensure me an easier path to cracking the galleries or pop culture market. I ‘write’ graffiti, and by identifying writings key defining aspects I feel I have found and embraced what sets it apart from and also makes it unique in the context of it being an art movement. It’s still essentially about writing your name.

8. Could you describe your creative process? What inspires you? How do you choose a location? Do you sketch your concept first…?

As I explained in the earlier question I spend a lot of time selecting locations based on a lot of different factors, ultimately trying to think about the end result, which is really the photograph. I have almost felt at times that I’ve put an impossible standard on the types of places I like and dislike and that can feel restrictive in a way. I think I counter that in the way I tend to paint my pieces once there. Although I draw a lot on paper, it’s more to develop or extend my artistic vocabulary. It’s like arming yourself with ideas to draw upon at any time and to apply for the appropriate situation. I freestyle everything I paint and those that know me or have painted with me know it’s a very loose and expressive process for me. I paint fast, often the first thing that I sketch on the surface is what I keep to, rather than over perfecting anything and I also tend to paint everything, even the final outlines with the fattest caps on the market. I do this because it allows a lot of variation within the line work, even one line can go from sharp and skinny to fat and flared out, back to a sharp ending again. Rather than defying the medium and trying to paint a perfect graphic or finely airbrushed looking effect, I want to use a can like a brush to give inflection to a line and a sense of expression.

9. Two of my favorite works are "Mischief Night" and "The Fall of an Empire." What is the story behind those works?

We don’t really celebrate Halloween; the British colonized New Zealand so we follow their traditions mostly. Things like Halloween are such a part of American culture and due to the amount of US television and music we have here, a sort of mimicry of anything deemed as US pop culture has occurred over time and usually happens in some sort of naive or half-assed way, Halloween being no exception. We actually had quite a different plan for the ‘Mischief Night’ wall, it wasn’t supposed to be on a wall at all, we had a way more grand plan for it but some drama took place that I can’t really go into. We had Host18 from Brooklyn and Rime from LA with us, hence the title of the wall because we don’t even know what Mischief Night is out here! Haha! The fall of the empire wall is inspired by the current world economic crisis and some correlations between that and a combination of biblical prophecies and paranoid conspiracy theories. The other artist I worked with on this is Dyle 52, who mostly writes Saves these days in tribute to his devout Christianity. We chew the fat a lot about certain issues and often from polar opposite angles on things but certain current events rang true for both of us on this one.

The Fall of an Empire
click image to enlarge

10. I remember a time that graffiti was considered illegal and looked down upon; graffiti was not an art form. Is that still a reality? If not, how has graffiti as an art form changed?

Graffiti is still and will always be illegal by nature. This is another defining characteristic and essential to it’s purpose and importance as one of the most interesting art movements of the late 20th and early 21st century. That is not to say I personally have a problem with painting permission spots or work intended for the gallery, which is also essential for the survival of artists on an individual level. Graffiti needs to be in opposition or resistance to this consumer driven and capitalistic society where the property owners and bureaucrats are king and the poor and lower class people feel voiceless and marginalized. Unless you can see any of those changes happening in society I doubt illegal graffiti will disappear any time soon.

11. It seems you have been in the game for a while. What other artists have you worked with? How have they affected you creativity?

I have had the honor of either meeting or painting alongside so many of the most inspirational people. Too many to name really, but all of them have had a profound effect on me and I’ve drawn so much from those experiences.

12. I’ve read that you are an entrepreneur. What are some of your past and current endeavors?

Entrepreneur, yes, successful businessperson… No. haha! I’m like a lot of entrepreneurial characters, I’m an optimist and overly idealistic. I do things not because I’m driven by a desire to make money but because I think there is a genuine need to do them. In my time I have organized festivals, flown over and hosted many international artists, been co-owner of a commercial art business which ran a gallery for emerging and street based artists, run, edited and designed New Zealand’s first internationally distributed graffiti magazine and started an independent Hip Hop record label. All of those things listed have made me a successful person on some level but have come at a huge financial cost to me and ultimately made me a business disaster! I would say both the Tax Department and my bank don’t like me that much and I struggle to bring in more than about $11,000 NZD ($6,360.79 USD) personal income a year, which is actually less than I could make on the unemployment benefit, so go figure!

Newton Hotel
click image to enlarge

13. Is there money to be made in graffiti art? Do you sell any of your work or get hired to create various custom works? Have/are any of your works (been) displayed in galleries or exhibitions in the U.S.?

There is money to be made, but not everyone is going to make it so it’s not like it’s a viable trade like being graphic designer or sign writer. If you approach your art like that, become a commercial artist, you can make some good money in the short-term but what you may find is your long-term integrity will become so damaged that you will struggle to make it as an actual artist as such. Before I found myself as an artist in the true sense I used work on a lot of corporate work with a range of well paying clients but the compromises, their need to leach integrity from me to sell unnecessary things to children, their ignorance and inability to truly appreciate what it is that my peers and I do just left me feeling jaded and without a folio of work I’d be happy to show anyone. I still freelance as a graphic designer to subsidize my living costs and support my creativity, but that is something I have to keep very much separate from my art. I have exhibited quite a lot over the years but not much outside of New Zealand. I hope that opportunity comes my way one day, at least to do it well and at little financial risk to me because as it stands, even to express yourself is rarely free.
14. As far as your work, do you have any big projects in the works for 2009?

2009 is looking pretty open for me right now; I only have one major project in the works currently, which is a book project, focused mainly on my past 2-3 years of work. It should be available early next year. My motivation to do it is mainly to really showcase my thoughts and process and hopefully generate both an international awareness of my work and generate some kind of passive income that can afford me the luxury to continue communicating my ideas and existing as a creative person. As I get older and realize I still don’t have a lot of what my peers have in a material sense, such as their first homes or even the means to be a serious provider for their families I know I have to do something to ensure that all this time spent was of some value.

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Monday, May 18, 2009

Musical Mondays--Nathan "Flutebox" Lee and Beardyman

photo courtesy of swingkat

Hello all, I hope you all had a wonderful weekend. An old classmate sent me a video a few weeks ago via Facebook; it was entitled "The sickest shit you'll ever hear." Of course, I rushed to push the "play" button. It wasn't the sickest shit I've ever heard, but it was damn good!! These two guys are the UK's premier beatboxers; they performed at live at the Google offices in London.

Now to prepare your mind for what you're about to witness, imagine a hybrid of beatboxing, flute playing, and vocals all wrapped up in one. Check it out. Let me know what you think.

(IE users click here)

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Saturday, May 16, 2009

Old School Saturdays--The Mary Jane Girls

photo courtesy of qedmedia.ca

Remember the Mary Jane Girls?? I love the song “All Night Long!” The 1980’s all female pop, disco, funk, and R&B group were protégés of the infamous Rick James. It is said that the origin of the group’s name came from James’ love of marijuana (aka “mary jane”). Candice "Candi" Ghant, Joanne "JoJo" McDuffie, Ann "Cheri" Bailey, and Kimberly "Maxi" Wuletich were the original members that made up the group, portraying various characters developed by James. "JoJo" was supposed to be headed for a solo career, but James sold the act as a group to Motown, which led to the signing of a contract in 1980.

The Mary Jane Girls released their self-titled debut album in 1983, producing the group’s first R&B hits, which were “Candyman,” “All Night Long,” and “Boys.” Their second album, Only Four You, was released in 1985. The second released single, “In My House,” was the group’s biggest hit to date. It first charted at #1 for two weeks on the Billboard Hot Dance Club Play chart, and then it peaked at #3 on the R&B chart, eventually crossing over to the Hot 100 chart, where it reached #7. The single also spent 12 weeks in the Top 40.

A third album was never recorded. Throughout the mid-80s, various members left the group, along with James having problems at Motown. This eventually led to the group breaking up. Some of the members are still active in music and other forms of art and artists such as Mary J. Blige, LL Cool J, Jay-Z, Big Daddy Kane, and Black Eyed Peas have sampled a few of their songs.

Thanks for tuning in to another Old School Saturday. Check out the playlist I’ve put together for your listening pleasure.


mary jane girls

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Friday, May 15, 2009

Haven Film Review (2006)

photo courtesy of movies.about.com

The 2006 film Haven is somewhat similar to the film Noise, in that I’m not sure if I liked it or not. It had some good qualities and some bad qualities, the question is, does one outweigh the other? Let’s see…

Set in the tropical Cayman Islands, writer/director Frank E. Flowers’ debut film Haven is a nonlinear tale of greed and money, forbidden romance, and violence. It all starts when Carl Ridley (Bill Paxton), a corrupt businessman realizes the feds are on his tail. He decides to flee to the Cayman Islands, which is a safe haven for him and his money (28 lbs. of one hundred dollar bills), dragging along Pippa (Agnes Bruckner), his belligerent 18-year-old daughter. With their arrival, more of the cast is revealed and the plot thickens.

Pippa stumbles upon Fritz, a local bad ass, nude, sleeping in her bed inside their exquisite condo. She confronts him, running him off, but not without agreeing to go out with him to a local party. The next day, he goes by the condo to pick her up. While waiting, Fritz catches a glimpse of Carl counting his millions; he was happy to have woken up in that condo. Finally they get to the party, Fritz manages to bump into a local gangster boss, whose soldiers almost beat him to a pulp before he blabs about the millions he saw at the condo. Meanwhile Pippa is walking around the party, amongst strangers, when a group of girls invite her to smoke weed with them; of course it was laced and she was tripping the rest of the night. At this point, Flowers switches the whole storyline and focuses on totally different characters. Shy (Orlando Bloom), a young softhearted fisherman, who got his name after he witnessed his father being killed, is introduced into the plot. He is secretly in love with and planning to marry Andrea (Zoe Salanda), who is his boss’s daughter. The problem is, Hammer (Anthony Mackie), Andrea’s brother; he has an issue with the couple’s “jungle fever,” which leads to fighting and bickering.

Ok, so with all the jumping around, you may wonder to yourself, what happened to Carl and his money or how does everything fit together? I can assure you, everything falls in its place somehow. The key to this film is patience. As I said earlier, this is a nonlinear film, taking you left, then right, then diagonal, then left again. In a way, I liked that about the film, but at the same time I think it took away from the development of the characters; we only knew the surface of the characters. The performances were decent, but without full development, they were hindered in my opinion. Overall I think the film was ok. I’m glad I never went to the theatre to see it; I’d be a little peeved if I had spent $12 to see it. Haven is worth being placed in your Netflix queue or being rented from Blockbuster; I mean hey, there is corruption, drug abuse, forbidden romance and violence.

GRADE: N/R

Check out the trailer below (IE users click here)

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Thursday, May 14, 2009

Tell Me Something Good--The Existence of Caring

photo courtesy of telegraph.co.uk

With all that's going on in the world, it's good to know that "caring" still exists. Every time you turn on the news you hear about murders, people getting over on one another, "no good" government officials, men and women cheating on each other... It makes you wonder, actually, it makes you think that the concern for humanity is a lost cause. Well, after I read this great story about a 24 year old woman from Pewsham, Wiltshire, Amy Lambert, I said to myself, "there are caring people out there."

Amy is an undergraduate at Bath Spa University who spent 8 weeks volunteering at the Kichijo Orphanage in Tanzania. The conditions of this dilapidated orphanage was very overwhelming; the 150 students she was cared for were not only starved, dangerously dehydrated, and sleeping in dirty beds, but the majority of them had lost one or both parents due to AIDS and HIV.

Being so moved by her experience and witnessing the daily lives of the children, Amy raised 30,ooo Euros (a little over 40k USD) in seven months. The amazing part is, she offered to purchase the orphanage instead of handing the money to the authorities. With the acceptance of her offer earlier this year, Amy plans to complete her degree in Health Studies and Psychology in July, then move to Tanzania to work at the orphanage full time. She plans to tear down the decrepit building and rebuild a modern one.

"Caring" does exist!

For more info about Amy and her plight, click here.

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Wednesday, May 13, 2009

Word of the Day--"piebald"

It's "hump day" to you!! Stimulate your mind.

Today's W.O.D. is PIEBALD

Parts of Speech:
adjective

Definition:
1.
of different colors; especially : spotted or blotched with black and white
2. composed of incongruous parts

Example:
The piebald homes in the Takoma Park, MD contributes to the area's slight "hippie" feel.

Feel free to use this word in a sentence in the comment area or offer your own W.O.D. to be featured next Wednesday.

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Tuesday, May 12, 2009

Take A Look Tuesday--The Caribbean (my favorite place)

Today I want to share with you a few images that caught my eye. They are various aerial island shots. All of the images are courtesy of National Geographic.

Glover Reef, Belize

Mondriki Island & Monu Island, 2 of 333 Fiji Islands

Palau, located in the western Pacific
Bora-Bora
Oregon Inlet, part of Cape Hatteras National Seashore, North Carolina Outer Banks
Tahiti

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Monday, May 11, 2009

Musical Mondays--Green Tea, Anyone??

photo courtesy of soultracks.com

There is a new star on the rise. One that will leave you overwhelmed by her sultry, soul-filled voice, her sincere and genuine lyrics, and her positive energy; Washington, DC’s own, “Green Tea.” Per her bio she says, “Many people are intrigued by the name Green Tea…. Green is my favorite color, it symbolizes: growth, energy, power, love, a palm tree that may bend but will never break. Tea is a healing regiment that is soothing, calming, stress relieving, healing…it's good in the summer and the winter symbolizing all the changes in life. So together, I am a soothing and healing regiment promoting growth, calmness, change...a potent remedy for the issues of life...of your soul-- your mind, will, and emotions.”

Green Tea is a singer/songwriter, poet, and vocal arranger, who grew up singing in the church. Besides gospel, other genres that have influenced her music are jazz, opera, R&B, soul, classical, and rock and roll; her DC community and city culture also plays a role in her music, as mentioned in her bio. Encompassing all that influences are Tea’s two albums, Have A Cup of Green Tea Dosage I: Shades of Green (debut album) and Dosage II: Choices (sophomore album). Both albums have solidified a local following, which is slowly branching out to real music lovers all over.

I can say, after listening to various songs, Green Tea is an artist to be reckoned with. Her music is full of messages of empowerment, self-love, passion, and optimism. Tea’s voice captures your attention, directing it towards the lyrics in the song, which slightly reminds me of Conya Doss, another independent artist that offers her fans a complete package. Check out the Green Tea playlist I’ve put together and make the decision for yourself. Personally, I don’t think you will be disappointed.

Resource Links:
Green Tea Site
Green Tea Myspace


green tea

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Saturday, May 9, 2009

Old School Saturdays--Otis Redding

photo courtesy of paxarcana.wordpress.com

When you think about or hear an Otis Redding song, what comes to mind? Soul? Emotion? R&B? Gospel? I think of all those.

Redding was a very influential artist, making a significant footprint in today’s pop culture. Having such a strong, passionate voice, he is known for his ability to convey emotion and the transmutation gospel and R&B. Born in Dawson, GA in 1941, he moved at the age of 5 to Macon, GA. Redding sang in the choir as a young boy and won the talent contest as a teen at the Douglass Theatre 15 weeks in a row. Needless to say, he made a mark with fans early. Continuing to sing, Redding notes being heavily inspired by Little Richard; much of his earlier music had a lot of Richard in it.

In 1960, Otis started touring the South with Johnny Jenkins and The Pinetoppers. He also made his first recordings with this group, “Fat Gal” and “Shout Bamalama,” under the name Otis Redding and The Pinetoppers. In 1962, he recorded “These Arms of Mine” which he had written, while during a jam session with Johnny Jenkins, there was studio time left over. Redding created more hits between the years of 1964 and 1966 including “Mr. Pitiful,” “I Can’t Turn You Loose,” “Try A Little Tenderness,” (I Can’t Get No) Satisfaction,” and “Respect.” With the combination of his natural musical abilities, his songwriting (this was uncommon for artists during this time) and touring, Otis had built an extensive fan base.

Otis’s life was cut short due to a plane crash, which landed him, his pilot, his manager, and four members of The Bar-Kays (his backup band) in Lake Monona (in Wisconsin), in December of 1967. “(Sittin On) The Dock of the Bay” was a posthumous release, recorded just three days before his death, becoming Redding’s only number one single on the Billboard Hot 100 charts.

He is recognized for his influential work, receiving notable mentions and awards that include an issued commemorative postal stamp, being inducted to Songwriters Hall of Fame, being ranked #21 on the list of Greatest Artists of All-Time, posthumously receiving the Grammy Lifetime Achievement Award and the list goes on.

For more info follow the resource links. Also, enjoy the playlist.

Resource links:
Otis’s site
Otis’s Wiki


otis redding

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Friday, May 8, 2009

Noise Film Review (2007)

photo courtesy of twitchfilm.com

Welcome to Film Review Fridays!

Imagine a horrific mass murder takes place in your small town; seven found dead on a subway, leaving one survivor. Imagine you’re a small town cop who suffers from tinnitus, a constant ringing of the ear or a constant sensation of noise; you’ve tried getting off of work for the Christmas holiday, but instead you’ve been assigned to work the case at hand. By “assigned,” I mean being confined to a police caravan, waiting for locals to come by with any evidence they may have pertaining to the crime. How unrewarding does that sound? Now imagine the ringing of your ears gets worse and all of a sudden you hear a gun shot, which sounds like someone fired off bombs directly next to your ear. Ouch!

Say hello to NOISE!!!

Now I’m sort of struggling with this review of Noise, the 2007 Australian film. I can’t make up my mind; “do I like this film or not?” I’ll give you my synopsis, you watch it and tell me if you do. Tragedy sets the film in motion. There is a perpetrator on the prowl, a bloody massacre has taken place and there is one freaked out survivor, by the way, Lavinia’s (Maia Thomas) acting draws you to believe that she’s really freaked. This takes place in a small remote town in Australia, implying the killer is local. McGahn (Brendan Cowell), an uneager beat cop, suffering from “ringing of the ears,” is tasked with the case; he hates his job and he’s having relationship trouble. McGahn fights with his affliction on a daily basis, all while the footprints of the tragedy lead to pending tensions and conflict. As the film movies along, you will find that the story weaves and knots the characters (primarily Lavinia and McGahn) and their relationships with the cop and each other, revealing malice, anxiety, empathy, and insecurities in the locals who are all affected by the murders.

Ok, that was a quick overview, now on to my other observations. Noise is the debut film of writer/director Matt Saville. I got to give props where props are due, Saville sought out a talented support team to create the ambience of this film. He teamed up with composer Bryony Marks and sound designer, Emma Bortignon to create a vicious (that means “great”) score that’s constantly shifting and dancing around various aural happenings. Saville and the sound team carefully crafted the auditory atmosphere of this moody thriller, using exaggerated sounds of coffee slurping, cigarette smoking, clicking jaws and unanswered phones; all used to stimulate your sensory. I actually thought the score was pretty clever, since, in my opinion, the whole premise of the movie is the act of hearing and listening. Also, considering the ailment of McGahn, the sound team had an excuse to explore the surfaces of sound.

Given the gruesome underlying script, cinemaphotographer Laszlo Baranyai, creates a matching volatile mood by painting the film in midnight blues, grays, monochromatic tones, and peculiar color schemes. He produces an effect that elicits a pulsating energy that’s somewhat haunting. Saville’s selected collaboration was almost perfect; it’s just that “nothing is perfect.”

I want to warn you, this film is very slow-paced. You may find yourself begging for something to happen, which was frustrating for me. Also, it’s not the wonted “cop chase a killer” film, it keeps you in limbo until the very end, but to me, I still don’t get the end. I can say that I enjoyed the small cast of the Noise; most of them were first time actors. So, you could probably tell which elements of the film I appreciated most (the cinematography and the score), although there were interesting motifs and symbolism throughout the film. I will end here, but if you have time to check it out, come back and leave me your thoughts. Check out the trailer below.

GRADE: N/R

(IE users click here)

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Thursday, May 7, 2009

Hooray!!!!! It's Official...

Hello everyone! Today at "Tell Me Something Good Thursday," I wanted to share the good news about my little brother. He is a freshman at Towson University located in Towson, Maryland; he's doing very well by the way. He decided to join the Phi Sigma Kappa fraternity, which was founded in 1873 at Massachusetts Agricultural College in Amherst (now University of Massachusetts). Last week, I received word that it's official; he made it through the initiation process and he is now apart of the brotherhood of the Phi Sigma Kappa (official fraternity site)!!!!!!!!!!

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About Homebody Blogger

Hello and welcome to my cyber residence! Why don't you "sit a spell?" While here in my atmosphere, you will be exposed to my latest unsigned artist finds (I am a total music lover), my daily rants and raves, visual artists (I must say, I have a pretty good eye. At least in my opinion.) things I stumble upon and my personal movie reviews (I'm a self-proclaimed movie critic). I have thousands of interests, so you never know what I may be chatting about.


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To Homebody readers & visitors

I hope you all enjoy my posts. I welcome you all to leave your feedback, suggestions, and comments. If you are an artists of any kind and would like to have your work featured or if you are interested in interviewing with Homebody Blogger, please do not hesitate to contact me. I am always looking for new and undiscovered talent. Thanks for stopping by and I look forward to hearing from you.

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Music files, artwork and photographs displayed on this site are the property of the artists who created them. We make a point to link back to the sources we use or cite where we get our information from. Any material can be removed at the artist request.

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